Mobile spy reviews man of steel kids

 

Melissa McCarthy comes into her own as a comic star in Spy , stepping out from recent supporting- and co-headlining roles to become the big screen A-lister she promised to be in 2011's Bridesmaids . Lampooning the alpha-male conventions of the secret agent flick while transferring some of that badassery to an unlikely character, writer-director Paul Feig remains one of the best friends women in comedy have, managing to get yuks from fat-lady jokes while mocking a world that treats such women like they're invisible. Laugh-stuffed and making excellent use of its marquee-grade supporting cast, it promises to be a home run in its early summer release.

McCarthy's Susan Cooper starts off where we'd expect to find a woman like her in a blockbuster action film: as one of the anonymous keyboard jockeys behind the hero, Jude Law 's Bond-like Bradley Fine. She's the voice in his earpiece, watching via satellite and doing his homework so he can magically dodge each attacker and infiltrate any fortress. She's also hopelessly in love with him, a fact Fine exploits with shameless "I couldn't do it without you" flirting.

While she bounces around exotic locales in pursuit of Byrne's suitcase-sized nuclear device, Cooper's biggest headache is not the villains but the good guys: As a British spy who can't stand to be sidelined while a woman does his job, Jason Statham keeps popping up where he's not supposed to be, trying to take down the baddies but just making things worse. (Statham is surprisingly good at sending up this macho numbskull's overconfidence, especially when he tries to establish his bona fides with a hilariously outlandish list of things he's endured in the line of duty.)

Mobile spy reviews man of steel kids

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Melissa McCarthy comes into her own as a comic star in Spy , stepping out from recent supporting- and co-headlining roles to become the big screen A-lister she promised to be in 2011's Bridesmaids . Lampooning the alpha-male conventions of the secret agent flick while transferring some of that badassery to an unlikely character, writer-director Paul Feig remains one of the best friends women in comedy have, managing to get yuks from fat-lady jokes while mocking a world that treats such women like they're invisible. Laugh-stuffed and making excellent use of its marquee-grade supporting cast, it promises to be a home run in its early summer release.

McCarthy's Susan Cooper starts off where we'd expect to find a woman like her in a blockbuster action film: as one of the anonymous keyboard jockeys behind the hero, Jude Law 's Bond-like Bradley Fine. She's the voice in his earpiece, watching via satellite and doing his homework so he can magically dodge each attacker and infiltrate any fortress. She's also hopelessly in love with him, a fact Fine exploits with shameless "I couldn't do it without you" flirting.

While she bounces around exotic locales in pursuit of Byrne's suitcase-sized nuclear device, Cooper's biggest headache is not the villains but the good guys: As a British spy who can't stand to be sidelined while a woman does his job, Jason Statham keeps popping up where he's not supposed to be, trying to take down the baddies but just making things worse. (Statham is surprisingly good at sending up this macho numbskull's overconfidence, especially when he tries to establish his bona fides with a hilariously outlandish list of things he's endured in the line of duty.)

A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.

True story of Heinrich Harrer, an Austrian mountain climber who became friends with the Dalai Lama at the time of China's takeover of Tibet.

Death, who takes the form of a young man, asks a media mogul to act as a guide to teach him about life on Earth and in the process he falls in love with his guide's daughter.